sis at LaLaport Fujimi: Within Reach of KANO MIYU’s Voice

A shopping-center stage at 2 p.m.

On September 27, 2025, sis performed a mini concert on the outdoor stage at LaLaport Fujimi in Fujimi, Saitama Prefecture. Amid the bustle of weekend shopping, an audience gathered in front of the stage to wait. Admission began at 1:30 p.m.; half an hour later, the four members appeared.

Cash-only merchandise and a meeting after the show

While rehearsal was under way, merchandise sales continued at the booth. Payments that day were cash only, with no card option. Waiting for the performance and preparing to join the post-show fan events took place within the same space.

That day’s benefits were a high-five event with the purchase of two keychains, a group photo with all members for one CD, a CD-jacket autograph for two CDs and a two-person photo with a chosen member for three CDs. Audience members joined the respective activities after the show according to what, and how much, they had bought.

Some visitors from Korea chose a two-person photo with KANO MIYU. This performance was also part of a run that would continue with a mini concert at Ario Ageo the following day.

Taking a place in front of the stage

When admission began at 1:30 p.m., the audience took their places in front of the stage. From the front rows, even the members’ expressions and small movements were visible to the naked eye. Photography was permitted, and some spectators held smartphones and cameras.

Late September, with the heat still lingering

Although it was late September, the weather still felt close to summer. Temperatures approached 30°C, and the humidity made people sweat even while standing still. For an outdoor performance, conditions onstage could hardly be described as comfortable either.

The sky was clear, and the rain people had worried about never came. Performers and waiting spectators alike met the show in an outdoor space that still held the heat of late summer.

A white dress and twin buns

At precisely 2 p.m., sis took the stage. KANO MIYU wore a white dress, an outfit she had recently started wearing, with her hair arranged in two buns.

The bright outfit and playful hairstyle registered alongside her singing expression. From nearby, it was possible to follow more than the first impression of her clothes: the changing expressions through each song and the looks she directed toward the audience were visible too.

Expressions and poses that answered the audience

Miyu looked toward audience members holding cameras and posed for them. She kept the singing and performance moving while responding to the crowd. With photography allowed, this was a chance to see how she answered the attention directed at her.

Hands continued to rise to take photographs. Expressions and movements changed quickly onstage, and eyes that had been following Miyu shifted with the songs toward other members and the group as a whole.

A mini concert in five songs

sis performed five songs in this mini concert.

SETLIST5 TRACKS

sis at LaLaport Fujimi: setlist

Performance order

1. DING DONG Kudasai
2. Megumi no Hito
3. Heart no Ace ga Detekonai
4. U, Fu, Fu, Fu
5. Ai no Battery

Some songs were closely tied to Japanese pop and kayōkyoku, the country’s popular-song tradition, and may have been unfamiliar to overseas fans. Even so, the set maintained a good balance of rhythm and tempo. During the parts centered on KANO MIYU in particular, attention gathered naturally around her, lifting the mood of the song.

Within the short set, collective movement alternated with individual parts. Attention drawn to Miyu returned in the next scene to the arrangement of all four members.

After the show: high-fives, autographs and photos

The performance led naturally into the fan events. High-fives came first, followed by autographs and photographs. After the high-five session, KANO MIYU came down from the stage, making eye contact and exchanging brief greetings with fans at relatively close range.

Two-person photos taken on phones

The two-person fan-event photos could only be taken on mobile phones; separate cameras were not permitted. Different equipment rules applied to photography during the concert and photography at the fan event.

Miyu responded to requests for poses such as hand hearts. A waiting spectator stepped forward to stand beside her, exchanged a brief greeting and had a photo taken, before the turn passed to the next person.

“Mata ashita”: a goodbye until tomorrow

Once the activities ended, people left the venue one by one. At the end came “mata ashita”—“see you tomorrow.” With the afternoon’s white dress and poses toward the audience still in mind, sis’s mini-concert schedule continued the following day at Ario Ageo.

Related sources

• Sony Music: title spelling for “Heart no Ace ga Detekonai”