sis/T at Tower Records Kinshicho — February 8, 2025

KANO MIYU and MAKOTO.: Five Songs and Fan Benefits

On February 8, 2025, sis (SIS/T) played Tower Records on the fifth floor of Kinshicho PARCO, Tokyo. The small event created close communication, with KANO MIYU and MAKOTO. strengthening performance focus.

Priority entry and merchandise

Beforehand, fans purchased merchandise for priority admission. The show remained free while purchases unlocked benefits, attracting interest.

Sales included priority-entry tickets and three benefit options.

• 1 CD: group photo with all members
• 2 CDs: all members’ autographs on the CD
• 3 CDs: individual photo with one selected member

Random ticket numbers determined entry. Lower numbers meant closer positions, encouraging extra-purchase strategies. This reflected an organized Japanese event system.

Gifts could not be handed directly to members: a box allowed staff to check and deliver them safely. Fans communicated indirectly through this procedure.

Program and setlist

The five songs reflected the unit’s identity, mixing familiar favorites with less familiar material for a new experience.

The program follows.

SETLIST5 TRACKS

Concert setlist

Performance order

1. I’m in the Mood for Dancing — Early bright appeal, blending MIYU’s steady vocal with MAKOTO.’s delicate tone.
2. Ai no Battery — Japanese version, combining familiarity and immersion with coordinated choreography.
3. Stay with Me — MIYU and MAKOTO. conveyed delicate emotion at the center.
4. U, Fu, Fu, Fu, — Fresh, buoyant music changed the energy and captured attention.
5. Ai no Battery (Korean version) — A familiar finale for Korean fans, with MIYU and MAKOTO. shaping the climax.

Despite brevity, individual ability and teamwork showed the advantages of a small event.

Post-show fan benefits

Direct fan interactions followed through the benefit sessions.

• Group photos: a chair before the members allowed natural poses; MIYU and MAKOTO. thoughtfully adapted to individual requests.
• Autographs: seated members signed while talking briefly. Friendly attitudes and relaxed pacing extended post-show connection.
• Individual photos: many chose KANO MIYU, while MAKOTO. sessions were active too, revealing different member followings.

More varied participation than earlier events offered ample opportunities for brief personal communication.

Performance assessment

Diverse songs and performance deepened connection. MIYU and MAKOTO.’s steady voices and individual appeal intensified intimacy and immediacy.

Limited songs and space still allowed close experience of ability and stage manners. The entire event, including afterward, functioned as an interaction space.

It added small-event experience in Japan and offered a foundation for future solo concerts and local expansion.

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