Miyu Kanou and Sohee find a duet in the same moments of fatigue

The story that makes Miyu Kanou and Sohee’s similarities most immediate in their Den interview concerns bodies after concerts rather than vocal technique. Performing in Seoul and Busan, one would feel depleted and find the other in a similar state. Sleepiness and hunger arrived together too, prompting a joke about being twins. Before duet chemistry becomes an abstract compliment, we encounter a small rhythm noticed by people working together.

In the video published on October 19, 2024, they also explain the beginning of Atlantis Kitsune. Staff suggested the pairing, fans described a similar atmosphere, and the two grew closer through activity. Rather than a destiny in which everything matched from the start, it is a relationship that began with a proposal and accumulated working time. Travel, meals and stage nerves matter because time beyond singing also enters their collaboration.

Remembering meals within long filming days

Miyu begins comparing her Japanese and Korean work with travel and meals. She says she traveled without pickups in her Japanese activity but received transport from her manager in Korea. Recalling long filming sessions, she also mentions fixed lunch and dinner times and being able to eat despite a busy schedule. Duration and the conditions of living within it occupy the same scene.

She remembers eating quickly before moving to the next commitment in Japan. These are experiences the two compare. Beyond a number of working hours, they show how assistance with travel and the ability to eat remain with someone doing the work. A day preparing to sing contains time in cars and intervals between meals. The conversation moves from differences onstage toward everyday conditions making a stage possible.

A stage made more nervous by being at home

Familiarity does not necessarily bring ease. Miyu says she feels more nervous performing in Japan than Korea, giving her own country as the reason. Using a native language does not by itself remove pressure. The difficulties of a new place and the nerves of a familiar one can take different forms. Dividing the countries into an easy place and a difficult one does not fit this recollection.

Discussion of singing also begins with scenes each has noticed. Sohee talks about emotion-centered expression she observed among Korean singers on television and her impression of Miyu’s clarity; Miyu describes impressions of Korean singers’ range and breathing. Different observations sit in one conversation. Following what each noticed, rather than turning it into fixed national character, brings us closer to musicians hearing others and reflecting on their own expression.

Shared time after a similar first impression

The Seoul and Busan story returns the comparison to two bodies. They recall recognizing their own fatigue in the other before explaining a condition at length. Spending time together supplies clues for reading one another. Sleepiness and hunger are not proof of a grand bond, but a particular day shared after performing. The twins joke shows a reduced distance rather than making them identical people.

At the end, both say they would like live performances in Japan and Korea. They mention comments requesting Japanese concerts while leaving specific arrangements to management. A wish and a confirmed plan remain separate stages. The interview presents less a pairing promising a completed future than two people who have performed together and want to sing again. After an initial impression of similarity, time continues in which they can fill that description with experience.

Music and production information

Den · Original 2024 Miyu and Sohee interview ↗