REVIEW · Release Events
sis at Yokohama Vivre: Five Songs and Time with Fans

KANO MIYU and MAKOTO. Meet Fans at Close Range
On February 9, 2025, sis (SIS/T) played a mini-live at Tower Records Yokohama Vivre. The small event offered close access to music and fan benefits. KANO MIYU and MAKOTO. contributed to the performance’s quality.
Admission and merchandise
Admission was free, including general entry without merchandise. Purchases offered priority-entry tickets and benefit opportunities. Random numbers determined order, with lower numbers allowing closer positions. Benefits depended on purchase quantity as follows.
- 1 CD: group photo with all members
- 2 CDs: autographs from every member
- 3 CDs: individual photo with a selected member
Fans divided purchases strategically to improve entry positions. Others attended through free general admission.
Venue size and viewing
The store venue held approximately 80 people, with stage and audience very close. Direct connection, intimacy and immediacy made interaction central.

Mini-live program
The five-song program matched the previous day’s Kinshicho show.
Concert setlist
Performance order
- I’m in the Mood for Dancing — An energetic opener centered on KANO MIYU and MAKOTO.
- Ai no Battery — Japanese version, highlighting shared choreography and coordination.
- Stay with Me — An emotional performance emphasizing MIYU and MAKOTO.’s steady vocals.
- U, Fu, Fu, Fu, — Lively rhythm and bright performance heightened the energy.
- Ai no Battery (Korean version) — A familiar finale for Korean and other Asian fans.
Limited song count was offset by detailed performances and concentrated fan interaction.
Fan benefits
Benefits continued afterward as follows.

- Group photo: fans sat on a chair and posed with the members.
- Autographs: members signed CDs while briefly speaking with fans.
- Individual photos: fans chose a member, with KANO MIYU particularly popular.
Visitors came from Korea and the Philippines as well as Japan. Fans also cooperated to secure favorable entry positions.
Fan response and significance
The event maximized small-scale intimacy. MIYU and MAKOTO.’s steady vocals and stage presence improved the experience; benefits provided direct communication despite a short show.
Some fans gave AI ASAHI 100 roses, highlighting participation and enthusiasm. Unlike large concerts, such events minimize distance and extend contact beyond performance.





